Sunday 8 July 2012

The Ramen Girl (2008)

In food as in life, sometimes the missing ingredient is love.

In this sweet comic drama of personal discovery, Abby (Brittany Murphy), a young American woman, moves to Tokyo, Japan, in order to join her itchy-footed boyfriend, Ethan (Gabriel Mann). She gets an undemanding office job and moves in with him. All seems well, but a couple of weeks later, she emerges from the shower to find him abruptly packing his bags to take up a job offer in another Japanese city, Osaka, and a new life that does not include her. Within minutes, he is on his way to the airport, leaving her on the pavement in her towel shouting angrily at the departing taxi, virtually friendless in a big foreign city.

Later, Abby, regretting her harsh words, tries to make up with Ethan by phone. While waiting for him to call back, she is drawn to the welcoming lights of a nearby family "ramen" (fast-cooking noodle broth) restaurant, where she weeps into a bowl of delicious ramen and has a mysterious but pleasant hallucination involving a china cat. On a second visit, with a different ramen dish, Abby's tears are somehow, almost magically, turned to laughter. Although Abby can't speak more than a word or two of Japanese, and the chef, Maezumi (Toshiyuki Nishida), and his wife, Reiko (Kimiko Yo), can't speak any English, Abby begins to frequent the restaurant and takes to helping out by serving dishes to the customers. When the chef tries to eject her, she declares that she wants him to teach her how to be a ramen chef.

I thought this was a really sweet funny film, not a rom-com as such, because although there is a little romance, that is by no means the main focus of the story. It really is a story of personal discovery, of finding a passion in life, and the journey to finding fulfilment along that path. Abby's story is contrasted with that of a young corporate Japanese man, Toshi (Sohee Park), whose personal ambitions are in conflict with his culture's work ethics, and also the story of her friend Gretchen (Tammy Blanchard) and Gretchen's drinking companion, Charlie (Daniel Evans), who show the seamier, more dissolute fate of those who give up their dreams and resort to sensual thrills and mind-numbing intoxicants. The emotional content of magic realism has as great an impact on me as on anyone else, so although from a rational perspective the spiritual element brought to the cooking process is mere wishful thinking, I was able to turn a blind eye.

As for the quality of acting, Murphy (excellent also in Sin City, 2005) projects endearing qualities of sweetness, uncalculated exuberance and vulnerability that make her perfect in the lead role. Nishida is brilliant as the grumpy tyrannical ramen chef, and Yo (so good in Yōjirō Takita's Oscar-winning Departures, 2008) is equally good as the supportive wife. The little coterie of local Japanese women customers in the ramen restaurant is also excellently played, and I was happy to see the great Tsutomu Yamazaki, so good in Departures, cameo as the master ramen chef.

According to Wikipedia, film critic Don Willmott describes The Ramen Girl as "a vacuous but atmospheric analysis of the redemptive power of a good bowl of noodles" in which "The Karate Kid meets Tampopo meets Babette's Feast." I haven't yet caught up with either Tampopo or Babette's Feast, but the comparison with The Karate Kid is apt and complimentary, especially the recent 2010 version with Jackie Chan. I didn't find the film vacuous at all, quite the reverse really, as it is about someone finding fulfilment in life through a demanding vocation, rather than simply through a relationship with another person, as would be the case in a rom-com. Abby's character, who, through passion for a chosen field (cooking), teaches herself self-discipline and a personal work ethic, is surely not a bad role model for anyone. It certainly reflects my path in life.


  • Director: Robert Allan Ackerman
  • Writer: Becca Topol
  • Starring: Brittany Murphy, Sohee Park, Toshiyuki Nishida, Tammy Blanchard, Kimiko Yo, Renji Ishibashi, Tsutomu Yamazaki

Written in WriteRoom, formatted using HyperEdit, posted from my MacBook Pro

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