Friday, 13 July 2012

Departures (2008)

The gift of last memories

Daigo Kobayashi (Masahiro Motoki) just manages to land his dream job as cellist in a classical orchestra in Tokyo, Japan, when the orchestra is disbanded. Forced to sell his hugely expensive professional cello, he gives up on his idea of being a musician, and he and his young wife, Mika (Ryoko Hirosue), return to live for free in his late mother's house in his old hometown, where he falls into a well-paid job, cash up front, though not at all the job he thought was being advertised, but one with high social stigma.

Without revealing Daigo's actual job title, suffice it to say that the backbone of the film is the question of whether or not Daigo will continue with the job. Will he tell his wife the true nature of the job? Will he be able to withstand pressure from others to give the job up? Will he come to like the job or find it too distasteful? Quite a lot of the film details the duties involved in the job. Through Daigo, we get to know both the gut-wrenching parts of the job, and also the emotionally uplifting power of work well done.

This is a rather sweet, quiet, melancholy film, with moments of gentle humour and much real pathos. Much of the emotional impact of the film is doubtless cued by the music, classical pieces, cleverly included diagetically via the playing of Daigo himself.

The script, by Kundo Koyama, is on a par, say, with Colin Higgins' script for Harold and Maude, and the direction, by Yojiro Takita, is immaculate. Wikipedia says that both the lead actor and the director did significant research in preparing before the filming. Motoki is superb in the lead role, and among the main supporting actors, Tsutomu Yamazaki is extremely impressive as Daigo's boss. Other notable players are Kimiko Yo, as his colleague, and Kazuko Yoshiyuki and Takashi Sasano, respectively, owner and long-term customer of a local "sento" bath house.

The story addresses important issues relating to family ties and the social and personal worth of normally stigmatised jobs. There are some very poignant scenes (some involving stones!) and the air in my viewing room did rather fill up with dust towards the end.


  • Director: Yojiro Takita
  • Writer: Kundo Koyama
  • Starring: Masahiro Motoki, Ryoko Hirosue, Tsutomu Yamazaki, Kimiko Yo, Kazuko Yoshiyuki, Takashi Sasano

Written in WriteRoom, formatted using HyperEdit, posted from my MacBook Pro

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