Showing posts with label Charles Portis. Show all posts
Showing posts with label Charles Portis. Show all posts

Sunday, 8 May 2011

True Grit (1969)

The strangest trio ever to track a killer.

A very enjoyable character-based western, directed by Henry Hathaway, and notable for the remarkable strength of will and general audaciousness of its female protagonist, teenager Mattie Ross (Kim Darby), who propels herself into a brutal male-dominated world of violence and death. As in the Coen brothers' 2010 remake, Mattie embarks on a quest to bring her father's murderer to justice with the help of two very different law enforcers, a grizzled hard-drinking US Marshall, Rooster Cogburn (John Wayne), and a charismatic young Texas ranger, La Boeuf (Glen Campbell).

This 1969 film has more back story than the Coen brothers' remake, introducing Mattie and her father, Frank Ross (John Pickard), at home, and showing the context of the murder and the murder itself. From then on the plot follows fairly similar paths, driven by Mattie and her mission. Finding that the local sheriff has no jurisdiction in the Indian Territory to which the murderer, Tom Chaney (Jeff Corey), has fled, Mattie, on her own initiative, hires the meanest licensed federal law officer she can find, Cogburn. La Boeuf also turns out also to be in pursuit of Chaney, for an earlier crime, and in fairly short order, Mattie, Cogburn and La Boeuf enter Indian Territory all bent on the same goal.

As in the Coen brothers' version, the main delight of the film is Mattie Ross herself: the way she interacts with the range of people she encounters and the character of her responses to events. She is an amazing person, only 14 years old but clever and audacious, whose personal courage and readiness to engage in violent action, as the story develops, is tested to the extreme. Perhaps in those days (1880 according to Wikipedia, not that long ago really, around the time my father's grandfather was running around in short trousers), children were less sheltered. Near the start of the film, the filmmakers deliberately show how public executions were treated by many townspeople as a fun day out, with snacks for sale, and small children apparently free to mingle with the watching crowds, and even, from their playground swings opposite the town square, getting the best views.

Hathaway permits his young protagonist more emotion than the Coen brothers do. He shows, from the outset, how Mattie is taken with La Boeuf and briefly shows her crying (privately) over her late father's possessions. Possibly related to this, but less satisfactorily, is the use of the musical score, which to modern ears seems rather unsubtle at times.

Another delight, of course, is the debauched but doughty character of Cogburn and the great performance of Wayne (despite being 20 years or so older than the character in the book, he received an Academy Award for Best Actor), contrasting strongly with the characters of the strictly brought up Mattie and straight-arrow La Boeuf. According to Wikipedia, Wayne did his own stunts, including the final jump.

There's so much fun to be had, especially, in the first reel, in Mattie's interactions with other characters. When she comes into conflict with La Boeuf, their brief flirting turns to verbal sparring, and she stands up to him just fine, as she does with everyone else. Her dealings with the horse dealer, Col. G. Stonehill (an outstanding performance by Strother Martin), show her to be a wonderfully feisty resourceful person.

Speaking of supporting characters, others of note include Robert Duvall and Dennis Hopper, who play their roles relatively sympathetically, showing that criminals are more than simple monsters.

My only criticism is that Glen Campbell, hand-picked by Wayne, according to Wikipedia, seemed too old for the role (he was 33), or not quite vulnerable and good-looking enough for Mattie to take a shine to him, or maybe just not an expressive enough actor. I never felt there was any chemistry between the two of them.

Sources:


  • Director: Henry Hathaway
  • Writers: Marguerite Roberts (screenplay), Charles Portis (novel)
  • Starring: John Wayne, Kim Darby, Glen Campbell, Robert Duvall, Jeff Corey, Dennis Hopper, Strother Martin, John Fiedler

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Amendments: corrected some links. Added ranking image.



Saturday, 26 February 2011

True Grit (2010)

Punishment comes one way or another.

A very entertaining film, mainly because of the remarkably gutsy nature of the 14-year old protagonist, Mattie Ross (Hailee Steinfeld), and her single-minded quest to bring her father's killer to justice and how this determination drives the story forward across a wintry Arizona landscape into a succession of encounters, each potentially life-threatening, propelling the audience along in a transport of expectation and (sometimes audible) delight.

Even people who normally avoid westerns might well enjoy this tale, as it is less a genre piece than a human drama in a historical setting.

Key to this film's success is a master-class in building indirect characterisations through action, down to the Coen brothers' expert scripting. From the moment Mattie Ross steps off the train, her interactions with people build a character of sharp-tongued wit, precocious hard-headed business sense, determination and courage.

The man she is hoping to hire to pursue her father's murderer, US Marshall Rooster Cogburn (Jeff Bridges), is artfully introduced under cross examination in a courtroom trial, painting a picture of a tough, capable but dissolute man, and leaving unresolved the question of whether or not he's a heartless killer of men.

Later, in a brief, almost throwaway, scene (as in Robert Altman's revisionist take on Chandler's classic tale of loyalty and betrayal, "The Long Goodbye", where in an apparently trivial prologue to the main story, Elliott Gould's Philip Marlowe's negotiations with his cat provide in microcosm the key theme of the film), Cogburn and Mattie come across a couple of kids torturing an animal, and the nature of Cogburn's response, funny in isolation, serves to add not insignificant dimension to his character.

The interplay between US Marshall Cogburn and Texas Ranger LaBoeuf (Matt Damon) as they compete for Mattie's attention and admiration, highlights the debauchery and pragmatism of the former, and the prissy correctness and high-mindedness of the latter, with Mattie left to decide which, if either, is better suited to her purpose.

The film feels absolutely authentic, partly due to the unsanitised grubbiness of some of the more unsavoury characters (unlike the 1969 version, I heard on a podcast, in which John Wayne's Cogburn appeared in relatively well-laundered clothes), but mostly due to the apparent verisimilitude of the dialogue, delivered at speed and without any contractions, and laced with old-fashioned, often biblical, expressions. One of the Coen brothers, speaking on a Mark Kermode and Simon Mayo's film review podcast, said at least 90% of the dialogue was from the original source novel.

I have only vague memories of the 1969 version of the film with John Wayne, so l wasn't distracted with mental comparisons between the two versions, and thankfully, the plot was as new for me. Steinfeld is fantastic in the role; Jeff Bridges is marvellous; the supporting cast are uniformly good, notably Dakin Matthews as the double-dealing horse-trader that Mattie outwits.

My only doubt is about Matt Damon: he portrayed a proud man of prissy high-minded nobility well, but I wonder if another actor, perhaps with a more expressive face (Tobey Maguire? James Franco? Andrew Garfield?) could have added more insight. Montgomery Clift, up against Wayne in Red River (and plenty tough in From Here To Eternity), would have made a good contrast to Jeff Bridges.

Wonderful to hear, during the end credits, the unmistakable and eminently suitable voice of Iris DeMent singing the hymn "Leaning on the Everlasting Arms", from her 2004 album, "Lifeline".

For me, this is certainly an excellent film: at least full price, maybe higher.

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Amendments: Removed link to Wikipedia-sourced image. Added ranking image.