Tuesday, 26 June 2012

Fast Five / Fast and Furious 5: Rio Heist (2011)

This is the best of the franchise so far. Within its genre, this film achieves all its goals fantastically well: Great non-CG special effects. Great action set pieces. Good characters with clear strong stakes. Good "Mission Impossible" style story-line. Actors with the chutzpah to carry it all off. The suspense of waiting to see if / when the two alpha males on each side of the law, car thief Vin Diesel and DEA agent Dwayne "The Rock" Johnson, will face off. What's not to like?

As Betsy Sharkey, Los Angeles Times Film Critic, enviably quipped, "Who knew that the best place to put Vin Diesel would be between the Rock and a hard place?"

The film kicks off where number 4 left off, on a deserted US highway, with the rescue of Dom Toretto (Vin Diesel), sentenced to life imprisonment without hope of parole, by rolling the prison transport coach off one end of Brian O'Conner's (Paul Walker's) car, in a mind-boggling display of timing and bravery.

The action shifts to Rio, Brazil, where Dom's sister, Mia (Jordana Brewster), and Brian and Dom agree to take part in an equally amazing theft of several hot-rod cars from a moving train. Again, the pure mechanics and logistics of the equipment and techniques used to pull of the crime are in themselves fascinating and thrilling. Throw in the human drama that emerges as a double-cross is revealed and lives are put in peril, and the result is pure cinematic joy.

The aftermath is that the trio are blamed for the deaths of three US Drug Enforcement Agency (DEA) officers, and a team of DEA DS officers, led by legendary Captain Luke Hobbs (Dwayne Johnson), arrives with an arsenal of weaponry and a mission to arrest Dom, Brian and Mia, and enlists the assistance of local rookie cop, Elena Neves (Elsa Pataky), as an interpreter.

Meanwhile, the trio discovers that the brains behind the double-cross is Hernan Reyes (Joaquim de Almeida), a drug-running local crime lord / politician in virtual control of all the favellas (slum areas) in Rio. Dom decides to take on this crime lord, and assembles a team of specialists, very much in the style of a classic heist or modern Mission Impossible scenario.

To come is a great chase sequence across the roofs of the favellas; a well-orchestrated unarmed combat sequence between two of the principals; a very well staged and bloody fire-fight in the suburbs, and last but not least, a brilliant breath-taking extended chase sequence through the streets of Rio following the heist.

The heist elements are cleverly written, with more than one unexpected turn. The car chases are brilliantly filmed, partly using a very effective rig that allows the director to shoot cars driving head on into the path of the camera, as is explained in a DVD extra documentary short.

The principals are very sympathetic. Dom is a career criminal with a strong ethical code in which loyalty to family and workmates is paramount. Brian, in previous films as an undercover cop torn between his sworn duties and his love of Mia and his liking for Dom, is now an out-and-out renegade cop on the run from the law. Dom's sister, Mia, once again in a relationship with Brian, as we have seen in previous films in the series, is clearly a "good" girl. Hobbs is given no back story but has a strong onscreen presence. His police interpreter, Neves, is given enough screen time and back story to make her sympathetic. The villains, Reyes and his lieutenant, Zizi (Michael Irby), are given just enough character and show of villainy to make the audience welcome their come-uppances. The characters of the heist team that is assembled, including Chris "Ludacris" Bridges, Tyrese Gibson and Sung Kang, are much more perfunctorily sketched in, and are little more than one-note performances. High full price.


  • Director: Justin Lin
  • Writers: Chris Morgan (based on characters by Gary Scott Thompson)
  • Starring: Vin Diesel, Paul Walker, Dwayne "The Rock" Johnson, Jordana Brewster, Chris "Ludacris" Bridges, Tyrese Gibson, Sung Kang, Gal Gadot, Matt Schulze, Tego Calderon and Don Omar

Written in WriteRoom, formatted using HyperEdit, posted from my MacBook Pro

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